Artist Statement

My paintings begin with the body. I work at a scale that matches my full reach—fingertip to fingertip—so each mark records movement, presence, and intuition. The grid holds it all in place. It gives me something to push against. It's not about control, but containment—a way to hold chaos, memory, and motion all at once.

Though my work is abstract, it is shaped by 25 years of painting directly from observation. I grew up identifying birds, plants, and insects with my parents, both musicians and amateur naturalists. Summers on my grandparents’ farm taught me to read the weather, notice seasonal shifts, and understand time as cyclical. These rhythms still guide me. Nature wasn’t just a backdrop -- it was how I made sense of things, especially while growing up with a mother whose moods were unpredictable and overwhelming. I watched how the land adapted: trees bending around fallen trunks, still growing.

I use color, gesture, and layered marks to process the full spectrum of lived experience – grief, trauma, joy and survival. Sacred geometry appears as a structing force, a visual and emotional anchor. I am interested in how a line can hold chaos, how paint can become a kind of memory. Everything I make is an attempt to reconcile feeling with form, to honor what we carry, to map what cannot always be said.

 

BIO

Gretchen Durst Jacobs is an abstract painter and printmaker based in Dayton, Ohio, and Ontario, Canada. Her work explores embodied systems, resilience, and the tension between structure and change through an intuitive, process-driven practice. Through painting, printmaking, and installation, she investigates how structure can both support and disrupt perception, memory, and lived experience.

She received an MFA from the University of Cincinnati and a BFA from Wright State University and attended the New York Studio School Drawing and Painting Marathons and Summer Sessions in 2000 and 2003. Her work has been supported by grants from the Ohio Arts Council and the Montgomery County Arts and Cultural District, as well as residencies at the Virginia Center for the Creative Arts, Jentel, and Zea Mays Printmaking. In 2018, she was selected by the Ohio Arts Council to participate in an invitational residency and cultural exchange at Grafikwerkstatt Dresden, Germany.

Jacobs has exhibited extensively throughout the United States, Canada, Germany, and Japan. Selected venues include Manifest Gallery, the Riffe Gallery, the Bristol Art Museum, and Grafikwerkstatt Dresden. Her work is included in public and private collections, including the Dayton Metro Library and the Kettering Government Center.

She is represented by Dana Wiley Gallery.

Exhibitions & Collections

Professional Highlights